Sea Change: James Cameron’s The Abyss as McLuhanian Apocalypse

James Cameron’s films, Hollywood blockbusters though they are, may also be read in terms of a Canadian sensibility that is prone to problematizing mankind’s relation to technology and communications media, as epitomized by Marshall McLuhan (see Babe 2000; Kroker 1984). The Terminator films are thus based on the idea of the nascent Internet as a […]

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